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Donovan is successful and Rudolf is sentenced to life imprisonment instead of death penalty. It's fascinating learning from a special feature that Steven said he was a young kid during a war and he too filled his bath like the kid in the movie. Everyone looks like a secret agent.

The acting is hammy, and the characters are drab and inspire little interest. In the film, the mass of historical and factual errors, and the film is not a history of the spy Rudolf Abel and his exchange on pilot Francis Gary Powers, and a pretentious propaganda picture.Well deserving of the awards it earned, Mark Rylance and Tom Hanks are outstanding! Bridge of Spies is inspired by the true story of an insurance lawyer, James B. Donovan, who became the unlikely go-between in an exchange of prisoners between the U.S. and Soviet governments in 1957.
He bargains with Soviet and East German officials while the city works its icy voodoo. This movie contains no heroes, heroines, no damsels in distress, none of the stock characters and situations usually employed to give a story some substance. Spielberg's fourth collaboration with Tom Hanks, which world- premiered at the New York Film Festival and opens commercially on October 16, looks to generate stout box-office returns for Disney through the autumn season. He really caught my imagination. As Abel’s state-appointed representative, Donovan is sent to Berlin to negotiate some kind of trade – and against the explicit advice of the CIA, decides to pursue a two-for-one deal.The film’s title refers to the span across the Havel River between American West Berlin and Potsdam, where captured spies were habitually traded during the Cold War. Further, Powers is prisoner of the soviet government and Pryor is prisoner of the GDR (German Democratic Republic). This is set against the supposed tyranny and cruelty of communist states.I am a Cold War child, born in a country which did have common borders with a Warsaw Pact member but was never a target of thermonuclear destruction. And Bridge of Spies doesn't disappoint, particularly for someone of my more advanced years (I was born the year following the film's climatic events) who remembers well the terror of potential nuclear catastrophe that hung over the world through the 60's and 70's.A feel-good Cold War melodrama, Bridge of Spies is an absorbing true-life espionage tale very smoothly handled by old pros who know what they're doing. Unfortunately, the vehicle to tell that story—the combined tale of the capture and trial of Soviet spy Rudolph Abel and swap for the downed US pilot Gary Powers on Russian soil—packs little punch due to its obvious lack of suspense.If you expect to see much spying or bridges in this movie you will be sorely disappointed. The tortured tagline of the film sums up the propaganda point to be driven home: "In the shadow of war, one man showed the world what we stand for." But it’s also about the metaphorical bridge that Donovan has to build from a precarious combination of compromise, bluff and rhetoric, as he negotiates with various go-betweens, often under pretences both sides know to be false for the sake of saving face.Hanks is as well-cast here as you’d expect, slipping into the role like it’s a silk dressing gown, and relishing his character’s breezy, argumentative wit and neat-continually bubbling private sense of amusement. For people of Spielberg's generation, the early years of the nuclear era and the stand-off between the United States and the Soviet Union represents a significant part of the fabric of childhood.

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